BRIAN LEE HUYNH (Kemp/Eiji) makes his TheatreSquared debut with Fault. On Broadway, he appeared as Captain Stewart in the original cast of War Horse (Lincoln Center Theatre). Off-Broadway credits include Claudio/Elbow in Measure for Measure (Epic Theatre Ensemble). Regional credits include new plays with The Debate Society/NYSAF, People’s Light and Theatre and Capital Repertory Company. Last year he made his network debut on “Elementary” (CBS.) He holds a BFA and MFA from Ithaca College and USD/Old Globe, respectively. 

REBECCA HIROTA (Molly/Moto) makes her TheatreSquared debut with Fault. Selected New York credits include Romeo & Juliet (Classic Stage Company), Artaud/Artaud (Signature), The Tower (HERE Arts Center) & MotherBoard (AntiMatter Collective). Selected regional and international credits include The Most Deserving (Denver Center), Caviar on Credit (The Guthrie), 36 Vews (The Huntington & Quantum Theatre) & Miss Saigon (Forestburgh Playhouse). Television credits include “Elementary”, “Gossip Girl”, “Unforgettable”, and “Law & Order”. She holds an MFA from Columbia University. 

RYAN GEORGE (Gabe) makes his TheatreSquared debut with Fault. His NYC credits include the titular role in Othello (Alchemical Theatre Laboratory) and Jeb in Rush (Paradise Factory Theatre). Regional credits include Oshoosi Size in The Brothers Size (GableStage), Caliban in The Tempest (Hippodrome Theatre), and Spike in Vanya & Sonia & Masha & Spike (Florida Repertory Theatre). He holds a BFA.in Acting from the University of Florida. 

AMY HERZBERG (Director) is associate artistic director and a co-founder of TheatreSquared and distinguished professor of theatre at the University of Arkansas, where she directs the MFA/BA acting programs. Credits include La Jolla Playhouse, George Street Playhouse, Alabama Shakespeare Festival Southern Writers’ Project, Stages Repertory Theater, Valle Christi International Theatre Festival, English Theatre Berlin, and San Diego Repertory Theatre, where she was in the resident acting company for four years. For TheatreSquared, she has directed Fun Home, Great Expectations, Good People, Amadeus, The Last Five Years, ‘Twas the Night, Moonlight and Magnolias, Bad Dates, Next to Normal and One Man, Two Guvnors. She has appeared in several T2 productions, including the world premieres of The Spiritualist and My Father’s War, a play about her father’s experiences in WWII. She has received numerous honors for her work, including the Kennedy Center’s ACTF National Acting Teacher Fellowship, U of A’s Charles and Nadine Baum Teaching Award, Fulbright College Master Teacher Award, Arkansas Arts Council Individual Artist Fellowship for Directing, and along with her husband, the Governor’s Arts Award. She has been recognized as one of 25 visionary Arkansans by the Arkansas Times, honoring Arkansans whose ideas have had a transformative impact on life in Arkansas. She holds an MFA in acting from Cal Arts, with additional training from American Conservatory Theatre and The Actors Center in New York.

(Bruce) returns to TheatreSquared, where he was last seen as Dan in Next to Normal. On Broadway, he understudied and performed the roles of Beast and Gaston in Disney’s Beauty and The Beast, and starred as Sam Carmichael in the Las Vegas company of Mamma Mia! Additional credits include The World Goes Round (Pittsburgh Public), Children of Eden (Ford’s Theatre), We Will Rock You (Las Vegas), Idaho! The Musical (NYMF), Mame (North Shore), and The Scarlet Pimpernel (Sacramento Music Circus). An Arkansas native, he holds a Bachelor of Music from the University of Arkansas and an MFA in acting from the University of Arizona.

(Helen Bechdel) returns to TheatreSquared, after appearing as Diana in Next to Normal. On Broadway, she appeared as Christine Daee in The Phantom of The Opera and Hodel in Fiddler on the Roof. National tours include Christine in The Phantom of The Opera and Rita in 100 Years of Broadway. Off-Broadway credits include Lady Edith in The Prince and the Pauper (Lambs Theatre), Ethel Chichester in Peg O' My Heart (Irish Repertory Theater), Diva in Plesir D'Amor (59E59), and Katrrin Binder in Flirtation (Marvel Repertory). Chicago credits include Johanna in Sweeney Todd and Laurey in Oklahama (Marriot's Lincolnshire). She recently appeared as Ethel McCormick in Footloose (Fulton Theatre). She holds a BA in opera from Simpson College and an MM from Northwestern University.

(Small Alison) makes her TheatreSquared debut. Regional credits include playing Molly in Annie. Television credits include her role as Lauren in The Lauren Cooper Story on World's Astonishing News. She has appeared in several films, and recently played David Arquette's daughter, Daisy, in Tortoise. In addition to acting and singing, she is a songwriter. She is currently writing her second album of original music, to be released in 2018. Her future aspirations include touring to perform her own concerts, a Disney show, and Broadway.

(Alison) makes her TheatreSquared debut. Off-Broadway:  Laurie Partridge in The Bardy Bunch (Theatre at St. Clements), The Music Man (with Laura Osnes and Santino Fontana, at the Transport Group), Kate in Urban Momfare (SoHo Playhouse), Mexican Hayride (Musicals Tonight). Regional credits include the world premieres of Wendy MacLeod's Drop a Dime and Lauren Yee's The Carousel of Progress, both at the Queens Theatre. She was a featured storyteller on NPR's The Moth and The Moth GrandSlam. She holds a Bachelor of Music in classical vocal performance from the Manhattan School of Music. 

 (Joan)  makes her TheatreSquared debut. Most recently seen in New York as Lily Livingston in the Metropolitan Playhouse production of On Striver's Row, she also played Lisa in the Mamma Mia! National Tour. Other credits include Joanne Jefferson in RENT, Susannah in Tintypes, Cassandra in Vanya and Sonya... and Lorraine in All Shook Up. This fall she can be seen as Kali in the hit web series Situationships (Season 2) on Blavity. A native of Oakland, California, she trained in New York City at the CAP21 Professional Musical Theatre Program. 

(Medium Alison) was previously seen at TheatreSquared in Sundown Town and and the Arkansas New Play Festival (Sundown Town, Fall of the House 2010, Little War in Little Rock 2016, TransAtlantic 2017). Regional credits include Arkansas Shakespeare, Great Plains Theatre and Sierra Repertory. She appeared in the National Tour of A Christmas Carol. She holds a BA in theatre arts and dance from Hendrix College, studied musical theatre at NYU's CAP21, and is a second year MFA acting candidate at the University of Arkansas.

(Roy/Mark/Pete/Bobby) makes his TheatreSquared debut. Off-Broadway credits include The Christians (Playwrights Horizons), and Pillars of New York (St. Luke’s). National Tour credits include Norman Petty/ Buddy Holly Understudy in BUDDY: The Buddy Holly Story. Regional credits include Boland in Dogfight, Demetrius/Tytania in Midsummer, and Eugene in Brighton Beach Memoirs. He is an alum of NYU Tisch New Studio on Broadway.

(Christian) makes his TheatreSquared and professional debut.  He has performed at Arts Live Theatre (The Boxcar Children), attended the TheatreSquared Summer Drama Academy and New School Musical Theatre Camp, and sung with the University of Arkansas Children’s Choir. He is studying jazz trumpet and is an avid reader and writer. He is a sixth grader at Owl Creek Middle School and alum of Washington Elementary.

 (John) makes his TheatreSquared and professional debut. He has acted at Arts Live Theatre (The Boxcar Children) and in the TheatreSquared Summer Drama Academy. Along with his brother, Alexander, he has sung with the University of Arkansas Children’s Choir. He studies banjo with Clarke Buehling and is learning Mandarin Chinese. He is a fifth grader at Owl Creek and a recent alum of Washington Elementary.

Reginald L. Douglas (Director) is the Artistic Producer of City Theatre Company in Pittsburgh, a leading center for the development and production of bold new plays. At City, Reginald curates, line-produces, and directs in the theater’s six-show season and annual Momentum Festival of New Plays; oversees casting operations and artistic initiatives; and builds community and artistic partnerships both locally and nationally. In addition to his career at City, he directs extensively throughout the country, having worked at venues including the Eugene O’Neill Center’s National Playwrights Conference and National Music Theatre Conferences, Theater Works Hartford, Theatre Squared, Playwrights Center, McCarter, Luna Stage, Harlem Stage, Wild Project, Signature Center, Drama League, Rattlestick, and many others. He has developed and directed plays by many acclaimed writers including Dominique Morisseau, Colman Domingo, Nikkole Salter, Zakiyyah Alexander & Imani Uzuri, Josh Wilder, Harrison David Rivers, Korde Arrington Tuttle, Amy Evans, Craig “muMs” Grant, Laura Brienza, Angelica Chéri, James MacLindon, Natalia Naman, Bil Wright, Kevin R. Free, Drew Larimore, and several others. Reginald has received fellowships from New York Theatre Workshop and the Lark; was a member of the Actors Studio’s Playwrights and Directors Unit; has assistant directed on Broadway, Off-Broadway, and regionally; and has served on the selection committees for several local and national fellowships and grants panels. He has lectured in directing at the National Theatre Institute and Point Park University, where he directed a lauded production of Charles Mee’s Big Love last season. Named “One of Top 10 People to Meet” by Pittsburgh Post-Gazette, Reginald has been profiled by Pittsburgh Tribune Review, Pittsburgh Today Live, The Lynne Hayes-Freeland Show, Soul Pitt Quarterly, and Stage Buddy. His directorial work has been hailed by The New York Times, Village Voice, Talkin' Broadway, The Star Ledger, and other leading publications. Reginald is a proud graduate of Georgetown University and member of SDC. Upcoming work includes the world premiere productions of Cori Thomas’ Citizens Market (City Theatre) and Ashman and Menken’s Little Shop of Horrors (University of Pittsburgh). www.reginalddouglas.com

Amy Evans (Playwright) is a writer and educator based in Brooklyn, New York. Her play The Champion, inspired by the life of the legendary Nina Simone, was featured in the 2016 Arkansas New Play Festival and is slated to premiere at TheatreSquared in October 2017. Her plays include Achidi J’s Final Hours(Finborough Theatre), Many Men’s Wife (Tricycle Theatre), The Next Question (HB Playwrights Foundation), The Big Nickel (Soho Theatre), and The Most Unsatisfied Town (English Theatre Berlin International Performing Arts Center). Amy has given workshops Humboldt University and the Institute of Cultural Inquiry Kulturlabor in Berlin, and is an alumna of Hedgebrook Women Writers’ Residency, BRICLab Performing Arts Residency, 651 Arts’ Artist Development Program, and Interstate 73 Playwrights’ Group. She holds an MA in Theatre Arts from Goldsmiths College, University of London.

Joy Jones (Nina Simone) returns to TheatreSquared, where she previously appeared in the 2016 Arkansas New Play Festival workshop of The Champion. New York credits include Zaide (Lincoln Center Festival), a previous workshop of The Champion (BRIC Media Arts, and workshops at the Public Theater, Playwrights Horizons and the Culture Project. She appeared internationally with the Royal Shakespeare Company in Tantalus. National credits include Romeo & Juliet, The Tempest (Arkansas Repertory); Mary T & Lizzy K (Arena Stage), Fences (Everyman Theatre); Cloud Nine; Belleville; Invisible Man (Studio Theatre), Invisible Man (Huntington Theatre), Ruined, Tantalus (Denver Center), Young Lady from Rwanda, Pericles, Nicholas Nickleby, Well, and Pride & Prejudice (PlayMakers Repertory). TV/Film credits include Tantalus: Behind the Mask, The Shakespeare Sessions, Homicide, The Broken Continent and Confidential Informant. She holds an MFA from the University of North Carolina—Chapel Hill.

JEFF CHURCH (Director) Producing Artistic Director of The Coterie Theatre in Kansas City, which, during his tenure, was named in the top five children’s theatres in the US by Time Magazine. At Woolly Mammoth in Washington, DC, he directed The Rocky Horror Show, which ran for 9 months, and worked with composer Al Carmines on a revival of Wanted. For the Kansas City Repertory, he helmed The Drawer Boy, and for Seattle Children’s Theatre, Seussical and The Wrestling Season (which also played the Kennedy Center, where he has directed numerous productions), as well as Quentos at the Denver Center. For the Unicorn Theatre in Kansas City, he has directed 10 productions, including Love! Valour! Compassion!, bare, The Judas Kiss, Next Fall, Laramie Project, Sister Mary Ignatius, and others. His Coterie highlights have included producing the Coterie’s Great Books/Banned Books season, which included a US premiere of The Lord of the Flies. His work with playwright Laurie Brooks led to The Wrestling Season. He created the Coterie’s Lab for New Family Musicals, where the version of Seussical he developed with the Broadway composers is now the most performed musical in educational theatre in the US. Recently, he transferred The Coterie’s Lucky Duck with its Kansas City cast to the New Victory Theatre in New York. He has been an NEA site reporter and a board officer of both Theatre Communications Group (TCG) and TYA/UYA. For the past 13 years, he has taught graduate level Text Analysis for UMKC Theatre. He was inducted into the College of Fellows of the American Theatre in 2006.

Kholoud Sawaf (Director) Kholoud Sawaf is artist-in-residence at TheatreSquared, where she has assistant directed numerous productions over the course of four seasons. She is a recipient of the 2017 Classical Directing Fellowship from the Drama League in New York. Most recently, she assistant directed Vietgone at the Manhattan Theatre Club (Jonathan Alper Directing Fellow) and at Oregon Shakespeare Festival, both under the direction of May Adrales; was a Lab Company Fellow at Hangar Theatre; and collaborated on four productions with Shakespeare & Co. in Massachusetts and Hudson Valley Shakespeare Festival in New York . She was instrumental in TheatreSquared’s three-year $250,000 grant award from the Doris Duke Foundation for Islamic Art, and is developing an adaptation of Shakespeare’s Romeo & Juliet with T2 that will be set in contemporary Damascus. Born and raised in Damascus, Syria, she worked with the Al Qabbani and Al-Hamra theatres at an early age and attended the Performing Arts Program at American University in Sharjah, where she also collaborated with Skyline Theatre. She is a member of the Nihna Cultural Group in Damascus and holds an MFA in Directing from University of Arkansas.

Mark Shanahan (Director) returns to T2, where he has directed Peter and the Starcatcher, Around the World in 80 Days, and The Quest for Don Quixote, and adapted The Dingdong. His directing work has been seen at The Alley Theatre, The Westport Country Playhouse, The Fulton Opera House, Merrimack Rep, Florida Rep, The Cape Playhouse, The Weston Playhouse, George Street Playhouse, Penguin Rep, The Hangar Theatre, and many more. As an actor, he has performed On and Off Broadway (The 39 Steps, Tryst, Checkers) and at numerous regional theaters including the Kennedy Center, The Denver Center, The Alley, Hartford Theatreworks, The Westport Country Playhouse and others. His play, The Dingdong, was workshopped at the 2015 Arkansas New Play Festival at T2 and opened Off-Broadway at The Pearl Theatre in New York City in spring 2016, before returning to T2 for a full production in 2017. He is a graduate of Brown University and holds an MA from Fordham University, where he also teaches.

MISCHA HUTCHINGS (Sally Applewhite) makes her TheatreSquared debut. She recently appeared as Mary in Detroit (Catastrophic Theatre); Alice in Lidless, Stacey in Spaghetti Code (Horse Head Theatre); Elizabeth Keel’s Rainbowlands (14 Pews); Margaret in Leading Ladies (Texas Repertory Theatre); Karen in Speed the Plow (Country Playhouse); Mary in It's a Wonderful Life: A Radio Play (Unity Theatre); Catherine in Elizabeth Keel's Notions of Right and Wrong (Mildred's Umbrella); Amanda in The Glass Menagerie, Hannah in Angels in America: Part I, and Hannah in Angels in America: Part 2 (University of Arkansas Theatre). Other favorite roles include: Catherine in Proof, Carol in Oleanna and Sylvia in Sylvia. She also performed for three years as a company member at Main Street Youth Theater. She holds her BA from the University of St. Thomas and is a company member of Horse Head Theatre. She is a second-year MFA acting candidate at the University of Arkansas.

L.ROI HAWKINS (Harry "Jazzbo" Heywood, et al) makes his TheatreSquared debut. New York credits include Thurgood Marshall in The Color of Justice and Friar Laurence in Romeo and Juliet for TheatreWorksUSA, both national tours. Regional credits include Sgt. Waters in A Soldier's Play and Flip in Stick Fly (The Black Repertory Theatre of Kansas City); Sylvester in Ma Rainey's Black Bottom (The Missouri Repertory Theatre), and various roles for Theatre For Young America. Television credits include Featured Voice in national commercials for Ethan Allen and Denny's. He studied business and theatre at the University of Kansas.

BETSY JILKA (Lana Sherwood, et al) returns to TheatreSquared, where previous credits include Mother in Lily's Purple Plastic Purse and Izzy in Rabbit Hole. Regional theatre credits include Martha Cratchit and Mrs. Dilber in A Christmas Carol (Shakespeare Theatre of New Jersey); Ruth in Dessa Rose (Fourth Wall Theatre); Janet in Rocky Horror Picture Show (Tulsa Project Theatre); Karen in August: Osage County; Amanda in A Feminine Ending (Denton, Texas). Off-Broadway credits include Christmas Rappings (Judson Theatre) and various roles in Spare Change Theatre productions (Brooklyn, NY) where she was an ensemble member. Her favorite roles include Maria in The Sound of Music and Cathy in The Last Five Years. She holds an MFA in acting from the University of Arkansas.

CHRISTOPHER TENNISON (Vince Hines, et al) returns to TheatreSquared, where he previously appeared in Comet Town at the 2017 Arkansas New Play Festival and understudied for All The Way and Peter and The Starcatcher. Regional credits includes Last Gas (Shadowland Stages); Night and Her Stars (Town Center Theatre); Somebody's Sons, Beyond The Fringe (Main Street Theater); Hamlet, Romeo and Juliet (Phoenix Theater); If You Take a Mouse to The Movies, The Outsiders, The Diary of Anne Frank (Main Street Theater for Youth); and Oleanna (The Fan Factory.) He was the founding artistic director of Town Center Theatre in The Woodlands, Texas. He holds a BA from the University of St. Thomas, and is a third-year MFA candidate at the University of Arkansas, where he has performed as Roy Cohn in Angels in America Parts I and II, and as Sam Byck in Assassins.

BILL ROGERS (Freddie Filmore, et al) returns to TheatreSquared, where he previously appeared in Detroit, All The Way, Amadeus, The Quest for Don Quixote, Superior Donuts, Sons of the Prophet, and Sundown Town. University of Arkansas Theatre credits include Eurydice, Twelfth Night, The Foreigner, Kin, Time Stands Still, Translations and She Stoops To Conquer. Regional credits include Krapp’s Last Tape (Block St. Theatre); Nice Work If You Can Get It (Tent Theatre); Unnecessary Farce (Tent Theatre); The Jefferson Bottles (Block St. Theatre); the Dupont series, Radio Dazed: Dracula vs. Old Man Winter (Ceramic Cow Productions); Alley 38 (Artist’s Laboratory Theatre); and other productions. Film credits include Parker’s Anchor, Your Local News, Neapolitan and Gordon Family Tree. He received his MFA in acting from the University of Arkansas.

JUSTIN WALKER (Jake Laurents) returns to TheatreSquared. Previous T2 credits include Venticello 1 in Amadeus, Bobby in Look Away, Alan in One Man, Two Guvnors, Romeo in T2's co-production of Romeo and Juliet in Concert with the Southwest Arkansas Symphony, and the Arkansas New Play Festival. Recent credits include Griffin in the world premiere of Tectonic Theatre Project's The Temple Bombing at the Alliance Theatre, Macbeth at Serenbe Playhouse, and David in The Foreigner at Hangar Theatre. He holds an MFA in acting from the University of Arkansas.

RICHARD HOLDEN (Erik Blake) returns to Fayetteville and TheatreSquared, having previously appeared as J. Edgar Hoover in All The Way (2016), Joseph in Tigers Be Still (2012), and the 2010 Arkansas New Play Festival. Among his many credits are, Glengarry Glen Ross (Broadway Company-National Tour); Jack Kerouac in Beatific Poets, Bix in Hoagy, Bix, and Bunkhaus, A Tale Told/Talley And Son (Marc Taper Forum); Down an Alley Filled with Cats, Joined At The Head (Pasadena Playhouse); U.S.A. (Actors Theatre Los Angeles); Shakespeare Laughs (Cincinnati Playhouse); Dr. Larch in Cider House Rules, Charles Bukowski in Love, Bukowski (California Repertory Company); and many more. He has appeared in dozens of films and television shows, including 12 Years A Slave, 99 Homes, The Grifters, Get Hard, This is the End, Keanu!, ZOO, Underground, American Horror Story, 24, Heart, Baby, the soon to be released The Domestics, and many more. He holds an MFA from California State University Long Beach and is an associate professor/head of performance at the LSU School of Theatre in Baton Rouge, Louisiana.

LAURIE LARSON (Deirdre Blake) makes her TheatreSquared debut. She most recently appeared in The Taming of the Shrew with Chicago Shakespeare Theater after starring this past spring in the world premiere of Dance for Beginners at Piven Theatre Workshop in Evanston, Illinois. Regionally, she has performed in Riding the Dolphin at the Zephyr Theatre in Los Angeles and Shear Madness at the former American Heartland Theatre in Kansas City, Missouri. Other favorite roles in her adopted hometown of Chicago include Tranquillity Woods (Steppenwolf Theatre); And Neither Have I Wings to Fly (Fox Theatricals); Pygmalion (Remy Bumppo Theatre Company); The New Electric Ballroom (A Red Orchid Theatre); Through the Leaves; (the side project); A Lie of the Mind (Strawdog Theatre); The Wedding (TUTA Ensemble) and The Front Page (TimeLine Theatre). Film credits include Stranger Than Fiction and The Express. TV credits include Chicago Justice, Chicago P.D. and the pilot of TNT’s Leverage.

MOLLY MCADOO (Aimee Blake) makes her TheatreSquared debut. A New York based actor, she has worked at several Off-Broadway theaters and regional theaters across the country. Off-Broadway credits include the title role in Cowboy Bob (Ars Nova); Spill (Ensemble Studio Theatre); Kansas City Choir Boy (HERE Arts Center, and regionally at Oberon at A.R.T., The Kirk Douglas Theatre in Los Angeles and the Adrienne Arsht Center for the Performing Arts in Miami); Stop the Virgens (St. Ann's Warehouse and internationally at the Sydney Opera House); This Clement World (St. Ann's Warehouse); as well as workshops and readings at the Atlantic Theatre Company, New York Theatre Workshop, and Classic Stage Company to name a few. Regional credits include June Carter Cash in Ring of Fire (Endstation Theatre); Babe in Crimes of the Heart (Flatrock Playhouse); and developing the musical Mrs. Hughes at the Williamstown Theatre Festival. Internationally, she has performed in Beowulf: A Thousand Years of Baggage (The Adelaide Festival, Australia) and Party in the USA (Edinburgh Fringe Festival). She holds a BFA from the Tisch School of the Arts at NYU where she trained at Cap21, The International Theatre Workshop in Amsterdam and the Experimental Theatre Wing.

KATHERINE FORBES (Fiona "Momo" Blake) returns to TheatreSquared, where previous credits include Johanna/Olive in Transatlantic at the Arkansas New Play Festival. Regional credits include Roberta Fulbright in Living History and Paula Ride (Artists Laboratory Theater); Phunbags Improv (Ceramic Cow Productions); Merteuil in Les Liaisons Dangerous (Fine Arts Network); multiple characters in String of Pearls (Isis Theatre Company); Crime Pays (Mystery Cafe-San Diego); Kathy in Parallel Lives; Countess d'Lage in The Women and various other roles for Broadway and The AVO Theaters. She is a founding member of Old Town Temecula Theater OTTT. Her film credits include Door In The Woods, Ridgerunners, and Valley Inn. Other feature/short film/commercial credits include the comedy series Our Father Knows Best and A Sort of Normal Holiday. She also participated in theatrical and film studies in Los Angeles and San Diego, California, including, The Groundlings, Robert Wald Actors Studio, Francis Gercke at New Village Arts Terry Ross, Sarah Altman, Mike McCaffery and Tepper Gallegos.

DEVEN KOLLURI (Richard Saad) makes his TheatreSquared debut. Off-Broadway, he recently appeared as Unknown Man in The Boy Who Danced on Air (Abingdon Theatre Co). His regional credits include Jekyll and Hyde (John Engeman Theatre); Aida (Music Theatre of Wichita); and numerous readings and workshops with New York Theatre Barn, Geva Theatre, and Out of the Box Theatrics. He is a graduate of Oklahoma City University.

Halley Electra Mayo (Brigid Blake) returns to TheatreSquared, where previous credits include Fun Home, Sundown Town, and the Arkansas New Play Festival (Sundown Town, Fall of the House 2010, Little War in Little Rock 2016, TransAtlantic 2017). Regional credits include Arkansas Shakespeare, Great Plains Theatre, and Sierra Repertory. She appeared in the national tour of A Christmas Carol. She holds a B.A. in theatre arts and dance from Hendrix College, studied musical theatre at NYU's CAP21, and is a second-year M.F.A. acting candidate at the University of Arkansas.

Cory Censoprano (Playwright & Other Roles) makes his TheatreSquared debut. His previous credits include FOB (The Drama League); Dog Sees God (The Heights Players); One Night (Equalogy); The 25th Annual Putnam County Spelling Bee (Los Altos Stage Co.); Little Brother (Custom Made Theatre Co.); 2012: The Musical! (Tony Award Winner: San Francisco Mime Troupe), and more. Television credits include a 2017 appearance on CBS’ Blue Bloods. He received his B.A. in theatre at San Jose State University and graduated from the Tom Todoroff Conservatory in NYC.

Rebecca Hirota (Tong) returns to TheatreSquared after appearing as Molly/Moto in Fault. She most recently created/appeared in Bullet Catchers at the Judson Memorial Church. Some of her credits include Vietgone (Manhattan Theatre Company); Artaud/Artaud (Signature Theatre-Pershing Square); Romeo and Juliet (Classic Stage Company); Jane Eyre (Cincinnati Playhouse/Milwaukee Repertory Theatre); The Most Deserving (The Denver Center); Caviar on Credit (The Guthrie); and 36 Views (The Huntington/Quantum Theatre). Television credits include Elementary, Gossip Girl, Unforgettable, Eden, and Law & Order. She holds an M.F.A. in acting from Columbia University.

Edward Hong (Nhan/Khue) makes his TheatreSquared debut with Vietgone. His theatre credits include Tom/Marshall in the world premiere of Church & State (Skylight Theatre Company; Ovation nominated) and David in The Why (The Blank Theatre). Selected film credit highlights include Please Stand By (Magnolia Pictures; starring Dakota Fanning and Toni Collette), Lost Dogs (2017 Best Drama winner at NBCU Short Film Festival), and Hot Air (starring Jere Burns and Matthew Gray Gubler). His television credits include a recurring role on Devious Maids (Lifetime), and appearances on Kevin (Probably) Saves The World (ABC), New Girl (FOX), Lopez (FX), General Hospital (ABC), Angie Tribeca (TBS), and many more. He holds a B.A. in theatre and Asian-American studies from the College of William & Mary and is currently studying at the Beverly Hills Playhouse.

David Huynh (Quang) makes his TheatreSquared debut. Off-Broadway, he recently appeared as Kenji in No-No Boy (Pan Asian Repertory). His credits include Quang in Vietgone (Ivey Award for Best Acting Ensemble-Mixed Blood Theatre Company); Prince Hal in Henry IV part 1, Claudio in Much Ado About Nothing (Houston Shakespeare Festival); Posthumus in Cymbeline (New Orleans Shakespeare Festival); Romeo in Romeo and Juliet, the title role in Hamlet (Oregon Shakespeare Festival - tour); and Trofimov in a workshop production of The Cherry Orchard (Moscow Art Theatre). He is also part of the Journeyman Company of Titan Theatre Company in New York. Huynh holds an M.F.A. in acting from the University of Houston Professional Actor Training Program.

Jolene Kim (Huong) makes her TheatreSquared debut. Her theatre credits include KAIDAN (Rogue Artists Group - Immersive Theatre); Hothouse Reading Series (Pasadena Playhouse); Stupid F**king Bird (Boston Court Theatre); Ohmland Live! (Geffen Playhouse); Journey to Topaz (Sierra Repertory Theatre); and much more. She currently recurs on NBC’s Days of Our Lives and voices Grandma on Nickelodeon’s Glitch Tech set for 2018. Television credits include Grey’s Anatomy, 24, The Fosters, Pushing Daisies, Bunheads, iCarly, Family Guy, as well as more than 20 commercials. Kim has studied at The Guildhall School of Music and Drama as with world-renowned acting teacher Larry Moss. She resides in Hollywood, Calif., where you can see her live in Deep Squeeze, an absurdist comedy troupe from The Idiot Workshop.

Dominique Morrisseau (Playwright) is an American actor and playwright. She has authored numerous plays, three of which are part of a cycle she is currently working on called "The Detroit Projects.” Morisseau grew up in Detroit, Michigan. Her mother's family is from Mississippi. Her father's family is from Haiti. She began writing plays in college and has continued to write, earning her numerous awards and honors. She has stated that there was a lack of roles for her at the University of Michigan, which is what drove her to start writing plays. She wrote The Blackness Blues: Time to Change the Tune, A Sister’s Story at this time. After college, in 2012-2013, she received a Playwrights of New York (PoNY) fellowship at the Lark Play Development Center. She has also worked as a Teaching Artist with City University of New York's Creative Arts Team.Morisseau is on the list of Top 20 Most Produced Playwrights in America 2015–16, with 10 productions of her plays being produced.

Margot Melcon (Playwright) is a theater artist, administrator, and writer. She was the Director of New Play Development at Marin Theatre Company for seven years, where she dramaturged over 30 productions—including six world premieres—and administered the company’s two annual new play prizes and commissioning program. She has developed plays with TheatreWorks, Bay Area Playwrights Festival, Crowded Fire Theater, Shotgun Players, Berkeley Rep’s Ground Floor, the Kennedy Center, the New Harmony Project, and the Playwrights' Center in Minneapolis. She is currently the Program Executive for Promoting Culture at the Zellerbach Family Foundation. Margot is a graduate of California State University, Chico.

Lauren Gunderson (Playwright) is the most produced playwright in America of 2017, the winner of the Lanford Wilson Award, the Steinberg/ATCA New Play Award, and the Otis Guernsey New Voices Award. She is also a finalist for the Susan Smith Blackburn Prize and John Gassner Award for Playwriting, as well as a recipient of the Mellon Foundation’s 3-Year Residency with Marin Theatre Company. She studied Southern Literature and Drama at Emory University, and Dramatic Writing at NYU’s Tisch School where she was a Reynolds Fellow in Social Entrepreneurship. Her work has been commissioned, produced, and developed at companies across the U.S. including South Coast Rep (Emilie, Silent Sky), The Kennedy Center (The Amazing Adventures of Dr. Wonderful And Her Dog!), Oregon Shakespeare Festival, The O’Neill, The Denver Center, San Francisco Playhouse, Marin Theatre, Synchronicity, Berkeley Rep, Shotgun Players, TheatreWorks, Crowded Fire, and more. She co-authored Miss Bennet: Christmas at Pemberley with Margot Melcon, which was one of the most produced plays in America in 2017. Her work is published at Playscripts (I and You, Exit Pursued By A Bear, The Taming, and Toil And Trouble), Dramatists (The Revolutionists, The Book of Will, Silent Sky, Bauer, Miss Bennet), and Samuel French (Emilie). Her picture book, Dr Wonderful: Blast Off to the Moon, was released from Two Lions/Amazon in May 2017.

Duncan Macmillan (Playwright) is a writer and director. His plays include: People Places and Things (2015/16, National Theatre/Wyndham’s Theatre); 1984, adapt. George Orwell (2013-16, Headlong/Nottingham Playhouse/Almeida/West End and international tour, co-adapted with Rob Icke); Every Brilliant Thing (2013-16, Paines Plough/Pentabus Theatre/Edinburgh Festival/UK and international tours); 2071, co-written with Chris Rapley (2014-15, Royal Court Theatre/Hamburg Schauspielhaus); The Forbidden Zone (2014, Salzburg Festival and Schaubühne, Berlin); Wunschloses Unglück, adapt. Peter Handke (2014, Burgtheater Vienna); Reise Durch die Nacht, adapt. Friederike Mayröcker (2012/13, SchauspielhausKöln, Festival d’Avignon, Teatertreffen); Lungs (2011/12-16 Roundabout season at Paines Plough and Sheffield Theatres/Studio Theatre, Washington DC) and Monster (2006, Royal Exchange). He was the recipient of two awards in the inaugural Bruntwood Playwriting Competition, 2006. Other awards include the UK Theatre Best Director (with Robert Icke), 2014; Best New Play at the Off West End Awards 2013 and the Nestroypreis for Best German Language Production, 2013. He has twice been nominated for an Olivier Award in the Best New Play category. His work with director Katie Mitchell has been selected for Theatertreffen and the Avignon Festival, and continues to run in rep and tour the world.

Sarah DeLappe’s (Playwright) play The Wolves premiered Off-Broadway at The Playwrights Realm, following an engagement at New York Stage and Film, and development at Clubbed Thumb and Great Plains Theatre Conference. The Wolves received the American Playwriting Foundation's inaugural Relentless Award, and was a finalist for the Susan Smith Blackburn Prize and the Yale Drama Series Prize. DeLappe is the Page One Playwright for The Playwrights Realm and has been a resident artist at the Sitka Fellows Program and SPACE on Ryder Farm. Her past affiliations include: Clubbed Thumb's Early Career Writers' Group, New Georges Audrey Residency. She is currently affiliated with Ars Nova's Play Group, and is the Resident Playwright at LCT3. DeLappe is an MFA in process at Brooklyn College.

SHANA GOLD (Director) returns to T2, previously directing Stephen Karam’s The Humans, Lynn Nottage's Intimate Apparel, Gina Gionfriddo's Rapture Blister Burn, Neil LaBute's Reasons to be Pretty, Amy Herzog's 4000 Miles, David Auburn's Proof and Glen Berger's Underneath The Lintel, as well as Lee Blessing's Uncle at the Arkansas New Play Festival. Her Off-Broadway and world premiere credits include Lameece Isaaq's Food and Fadwa (New York Theatre Workshop/Noor Theatre); Lynn Rosen's Goldor & Mythyka: A Hero is Born (New Georges); Stanton Wood's Polaris (Urban Stages); and Leila Buck's In the Crossing (The Culture Project, Women Center Stage). Her regional credits include Leila Buck's Hkeelee (Talk to me) (Arena Stage); Nathalie Handal's The Storyteller (The Kennedy Center); Lisa D'Amour's Detroit (TheatreWorks); John Walch's Transatlantic (Alabama Shakespeare Festival's Southern Writers Project); Jeff Talbot's A Public Education, Robert Zellers' Mr. Wheeler's (Pioneer Theatre – Play by Play Festival); and Ismail Khalidi's Football (NYU – Abu Dhabi). Circumference of a Squirrel received the Austin Critics Table Award for Best New Play, Best Director, and the Austin Chronicle's Top Ten List. In Fayetteville, she also recently directed Charlotte's Web (Trike Theatre/Walton Arts Center); Oscar Wilde Shorts (Opera Fayetteville); and Spring Awakening (University of Arkansas). Shana has also developed/directed new work at Manhattan Theatre Club, Playwrights Horizons, New Dramatists, The Lark, The Public Theatre, MCC, NYTW, and Silk Road Theatre in Chicago. She received her MFA and the Buchwald Fellowship in Directing from Brooklyn College and has taught and directed for the Lincoln Center Theatre's education program, Juilliard, Dartmouth, NYU-Tisch, and Playwrights Horizons Theatre School. She is a member of the Lincoln Center Directors Lab, the Soho Rep Writer/Director Lab, Society of Directors and Choreographers, and is a New Georges Affiliated Artist.

MATTHEW LOPEZ (Playwright) is also the author of the current London sensation, The Inheritance, which starred Vanessa Redgrave and John Benjamin Hickey. The epic two-part new play invokes comparison to Angels in America and has already received four Olivier Awards including Best New Play and was named best play by The Evening Standard, The Critics Circle, and London’s WhatsOnStage Awards. His first major play, The Whipping Man, is one of the most widely produced new American plays of the last several years, garnering Obie and Lucille Lortel Awards. Marking a departure from his other work with its lighthearted comedy, The Legend of Georgia McBride premiered in 2015 at the Denver Theatre Center for the Performing Arts, had an extended run off-Broadway at the MCC theater company, and has gone on to have more than 40 productions nationwide.

BRUCE WARREN (Watson, et al.) returns to TheatreSquared after appearing in productions of The Ding Dong, Peter and the Starcatcher, Around the World In 80 Days, and The Quest for Don Quixote. He also directed T2’s collaboration with SoNA presenting The Green Llama as part of last season’s Season Finale Pops concert at the Walton Arts Center. His Off-Broadway credits include The Road to Qatar! (Farid / Claudio) at the York Theatre - Original Cast Recording. International tour credits include The Wizard of Oz, 25th Anniversary Cats, and First National Oklahoma! His select regional credits include The 39 Steps (Clown 1), Sweeney Todd (Beadle Bamford), Little Shop of Horrors (Orin Scrivello, et al), Tom Jones by Mark Brown (Blifil/Susan), Fools by Neil Simon (Count Yousekevitch), Spamalot (Sir Robin), Spelling Bee (William Barfée), The Producers (Franz Liepkind), Drowsy Chaperone (Aldolpho), Anything Goes (Moonface Martin), A Funny Thing … Forum (Marcus Lycus), and Ragtime (Tateh). He holds a BFA in musical theatre from Ithaca College.

STEVE PACEK (Sir Henry, et al.) is thrilled to return to TheatreSquared after last appearing as Peter in Peter and the Starcatcher. Other national credits include Sir Henry in The Hound of the Baskervilles (Virginia Stage Co.), Lightning Rod Salesman in the world premiere of Something Wicked This Way Comes (Delaware Theatre Co.), Jason/Tyrone in Hand to God (Alley Theater), Dickon in The Secret Garden (Arden Theatre Co.), Dromio of Syracuse in The Bombitty of Errors (Milwaukee Rep), Gordon Schwinn in A New Brain (Theatre Horizon) and Seymour in Little Shop of Horrors (along with many others) with 11th Hour Theatre Co. in Philadelphia, a company he co-founded where he serves as the associate artistic director. He is a former recipient of the F. Otto Haas Award for an Emerging Philadelphia Theatre Artist and holds a BFA in musical theatre from Ithaca College.

PATRICK HALLEY (Holmes, et al.) returns to TheatreSquared, where he played Smee in Peter and the Starcatcher, alongside Bruce Warren and Steve Pacek. He is a New York-based actor whose work has been seen Off-Broadway and at many of the country’s major resident theaters. Favorite credits include Good People (Cleveland Play House, Syracuse Stage); In Love and Warcraft (Alliance Theatre, world premiere); Of Mice and Men (Pioneer Theatre Company); The Taming of the Shrew (Denver Center); The Misanthrope (The Pearl, Lortel Nomination - Best Revival); The School For Lies, The 25th Annual Putnam County Spelling Bee, Complete Works of William Shakespeare (Abridged) (Arkansas Repertory Theatre); The Liar (Kinetic Theatre), and four seasons with the Hudson Valley Shakespeare Festival. He made his television debut in Difficult People, and has been featured in commercials for Google and Humira. He is a Bucknell graduate and native of Poughkeepsie, New York.

JEANNE T. ARRIGO (Baruska) makes her TheatreSquared debut. Her credits include Baruska in Once (Paramount Theatre); Iphigenia in Aulis (Court Theatre and The Getty); and The Revel (House Theatre). Understudied in the last three world premiere Tracy Letts plays: Mary Page Marlowe, Linda Vista, and The Minutes (Steppenwolf). Other favorite credits include Eastland and Treasure Island (Lookingglass Theatre) and M. Butterfly (Court Theatre), as well as work with Chicago Shakespeare, Brown Paper Box, Griffin, Steep, and other Chicago companies. Television credits include Chicago Med and Chicago PD. She holds B.A.s in theatre and psychology from Coe College, and an M.Ed. in school psychology from Loyola University.

ANNETTE BERNING (Ex-Girlfriend) makes her TheatreSquared debut. In 2017 she was one of the soloists in Broadway Rising Stars (Siegel Productions, The Town Hall, NYC). Off-Broadway credits include reading of Love On Ice (St. Luke’s Theater). Other NYC credits: The Proposal (The Lambs Actor Club), Hansel and Gretel (Galli Theater), Dean Martin - A Centennial Celebration (Carnegie Hall), Lincoln Center Spring Gala (Alice Tully Hall), 54 Sings Beatles (Feinstein’s 54 Below), and 2017’s Columbus Day Parade – as seen on ABC7. Norwegian credits include Oslo Opera Festival (Rådhusgata), and also as a part of Bergen National Opera’s Young Artist Program. Television credits include Turkish Banker in Seneca (Independent film) and Carolyn in Cyrus The Good (Webseries), winner of Best Pilot at Brooklyn Web Fest. She also received Kurt Weill Foundation’s Emerging Talent Award in 2017. Annette graduated from the American Musical and Dramatic Academy in New York City.

ASHTON MICHAEL COREY (Svec) makes his TheatreSquared debut. He was last seen as Tom Copley/Monty understudy in the second national tour of A Gentleman’s Guide To Love And Murder (Networks). He was also seen as Billy in Closer Than You Think (Strange Sun Theatre) at the Sheen Center in NYC. He is a recent graduate of Marymount Manhattan College.

BARRY DEBOIS (Guy) makes his TheatreSquared debut. He is an engineer-turned-actor/singer who has performed around the world. Barry was a swing and music captain on the national tour of Once. He has since performed the role of Guy at multiple regional theaters across the country including the Jeff Award-winning Paramount Theatre. A Henry Awards nominee for Outstanding Actor in a Musical and Outstanding Musical Direction for his work on Once at Midtown Arts Center, his other credits include Jamie in The Last Five Years (Resident Theatre Company); Lover, Captain Walker understudy in The Who’s Tommy (Media Theatre); Robbie in The Wedding Singer (The Secret Theatre); and Adam in The Shape of Things (TheatreLab NYC). Barry is also a writer, director, and editor. His 2015 short film Train Approaching was selected for the Coney Island Film Festival.

ZOOEY EMERY (Ivonka) makes her acting debut with TheatreSquared. A dancer with Elite Dance Studios, Zooey has a YouTube channel and infuses creative performance into her everyday life. She begins kindergarten this August.

ELISABETH EVANS (Girl) makes her TheatreSquared debut. She made her Broadway debut in Once and also appeared in The Sound of Music national tour directed by Jack O’Brien. In addition to theatre, she tours with the folk band The Lonesome Travelers featuring Peter Yarrow. Other credits include Big River (Unquowa Rep); How to Succeed in Business Without Really Trying (VMT); Brigadoon (Roundabout); The Secret Garden (The Huron Playhouse); The Louisiana Purchase (Musicals Tonight!); Grease (Ricketson Theatre); and Spring Awakening (Michigan MT). Film credits include Love the Coopers. She is a proud graduate of the University of Michigan.

JADE HOLLAND (Ivonka) makes her TheatreSquared debut. Lead roles include Mrs. Claus in The Magical Forest and the Ringmaster in Farnahan’s Circus (The New School). She has also appeared as Molly in Molly Starts a Tradition and Molly and the Wills, two videos created for the Office of Planned Giving at the University of Arkansas. Jade is a member of the Fayetteville Dance Company and is in the second grade at The New School in Fayetteville.

CORA KEMPH (Ivonka) makes her TheatreSquared debut. Her film credits include the 2019 film Sweet Inspirations. Cora is in first grade at Butterfield Trail Elementary.

CRAIG MACDONALD (Da) returns to TheatreSquared where he was last seen as Richard Russell in All the Way. Other T2 credits include Underneath the Lintel and One Man Two Guvnors. Recent roles include Giles Corey in The Crucible (Olney Theatre Centre); William Gillette in The Game’s Afoot (Ivoryton Playhouse); The Carpenter in Moby Dick (Syracuse Stage); Van Helsing in Count Dracula (Syracuse Stage); Lord Aster in Peter and the Starcatcher (The Kitchen Theater); and Sims in The Nether (Centenary Stage Co.). A lifelong musician, he creates and records original music with his band, Old Scots, which has released four albums and numerous singles.

CAT PATTERSON (Emcee (“MC”)) makes her TheatreSquared debut. Off-Broadway, she recently appeared as the Baggage Handler in The Signature Project (Dunning). Her credits include Bank Manager in Once (Oregon Cabaret Theatre); Performer/Musician in OktoberZest (Busch Gardens); Cindy Lou in The Marvelous Wonderettes (Little Town Players); and various roles at Florida Studio Theatre, where she performed in mainstage shows as well as theatre for young audiences. Film credits include Susy in On The House, Lindsey in On Duty, and Jessica in This is Our Youth. She holds a B.A. in acting/directing and international affairs from Baldwin Wallace University and a certificate from the Gaiety School of Acting in Dublin, Ireland.

JON PATRICK PENICK (​​Eamon/Ensemble) makes his TheatreSquared debut. Recent roles include ​​Billy in Once (Paramount Theatre); Henry/Deputy Johnson in Bonnie and Clyde (Kokandy Productions);​ Jack Stapleton in The Hound of the Baskervilles (Idle Muse Theatre Company); Ryan in Borderlands (Underscore Theatre Company); Terry in Today We Escape (Tympanic Theatre Company); and John in Barbeque Apocalypse (The Ruckus). Past work for companies include Saint Michael’s Playhouse in Vermont and Bristol Valley Theatre in New York. When he’s not performing on stage in theatre, Jon is a singer/songwriter.

ADAM HUEL POTTER (Billy) makes his TheatreSquared debut. On Broadway, he most recently worked on Misery and then joined the cast for the national tour of Once. Regional credits include Once at the Weston Playhouse and Saint Michael’s Playhouse in Vermont. New York City credits include his work on Open Road, Fireflies, Uncle Remus – His Life and Times, 54 Below, Broadway’s Rising Stars, Twelfth Night, and The Best Little Whorehouse in Texas. Film credits include Glass and Motherless Brooklyn. Television credits include Outlaw Country (FX). An alumnus of Circle in the Square theatre school, he is represented by SW artists and is also a member of SAG-AFTRA.

CASSIDY STIRTZ (Reza) makes her TheatreSquared debut. She has performed in Once worldwide on the first national tour as well as in regional productions in Chicago (Paramount Theatre) and Costa Mesa, Calif. (South Coast Repertory). Other select credits include Cyrano (Chicago Shakespeare), Much Ado About Nothing (Notre Dame Shakespeare), and Pride & Prejudice (Lifeline Theatre). Cassidy performs original covers as Cassidyjams on Instagram/YouTube and holds a B.F.A. in theatre/acting from Millikin University.

DANIEL TEPPER (Andrej) makes his debut at TheatreSquared. His credits include roles in The Pirate La Dee Da (Atlantic Theater Company); Making the Move (Edinburgh Festival Fringe); Camp Monster (Williamstown Theater Festival); Loose Canon (NYC Fringe Festival Encore Series); You’re A Good Man Charlie Brown and A Year With Frog and Toad (Northeastern Children’s Theater); and Come Blow Your Horn (Millbrook Playhouse). A long-time musical improv performer at the Peoples Improv Theater with the group Vern, Daniel is a part of the two-person improvised performance What Town? The Musical. He’s also toured the country improvising with the musical comedy show Broadway’s Next Hit Musical. The creator/star of the podcast Daniel Sings the News, he holds a B.F.A. from NYU’s Tisch School of the Arts and received training at the Upright Citizens Brigade Theater and Magnet Theater.

GRANT ALAN WATKINS (Bank Manager) makes his TheatreSquared debut, having understudied for Billy, Svec, and Eamon in the national tour of Once. Regional theatre credits include Svec in Once (Paramount Theatre and Florida Studio Theatre); Lonny in Rock of Ages, John Phillips in Dream a Little Dream, and Calhoun/Ensemble in Bloody Bloody Andrew Jackson (Actors Theatre of Charlotte); Other Father/Policeman in Coraline (Children’s Theatre of Charlotte); KJ in The Aliens and Lord Illingworth in A Woman of No Importance (PaperHouse Theatre). Grant is a proud Little Rock native and member of AEA.

KIMILLE HOWARD (Director) makes her TheatreSquared debut. Howard is a director, producer, writer, filmmaker, and occasional sound designer. She is the co-program director for the Amoralists’ ‘Wright Club and recently directed TRIGGERED by Gabriel Jason Dean at the Cherry Lane Theatre for the Ricochet Quadrilogy. She is currently a resident director at The Flea Theater where she directed The Girl With No Hands by Charly Evon Simpson. She directed a reading of Esai’s Table by Nathan Yungerberg at JAGFest last winter. Kimille is the assistant director to Des McAnuff on Ain’t Too Proud: The Life and Times of the Temptations, which recently performed at Ahmanson Theatre in LA, The Kennedy Center, Berkeley Rep and moves to the Princess of Wales Theatre in Toronto this fall before making its Broadway debut at the Imperial Theatre in Spring 2019. She assisted Jessica Stone on Bad Dates by Theresa Rebeck at Huntington Theatre Company last spring. Kimille won Best Director at the 2016 Thespis Festival for It’s All About Lorrie by Joseph Krawczyk at the Hudson Theater and remounted the production for a commercial run at the American Theater of Actors in 2017. She worked at McCarter Theatre where she assisted Emily Mann on the world premier of Sharyn Rothstein’s All the Days, Jade King Carroll on August Wilson’s The Piano Lesson and Stephen Wadsworth on Ken Ludwig’s A Comedy of Tenors. Other credits include: Pardon My French (dir.), Multistages Theatre Company’s Comida De Puta (asst. dir.), Not in this Room (dir.) for the 2015 Fire This Time Festival, Where We Flounder (dir. and playwright) at the Manhattan Repertory Theater, Byrony Lavery’s Frozen (producer with Cornice Productions), the French Theatrical Foundation’s national tour of Molière Malgré Moi (associate producer), Boot Camp (dir.), The Other Mozart  (associate producer), Partly Cloud People Production’s Dolores (asst. dir., sound designer, stage manager), Holy Land (associate producer), and various readings.

BRODERICK CLAVERY (Dez) makes his TheatreSquared debut. Off-Broadway credits include Cedric/Others & Oliver in Puffs (New World Stages); Vince in What. (The Black Lady Theatre); Mr. Demonie in The Girl With No Hands (The FLEA Theater); Olimpico in The Hour of the Star (Connelly Theater). National credits include David in Esai's Table (Brigg's Opera House/JAGFest); Jason Lasalle in RED (First Person Xperience); HIM in Coping Mechanism (Wild Project); and Lou in The Measured Art of Projection (BKWildlife). Touring credits include Connor/Ensemble in the Solutions Grassroots Tour (International WOW Company); and Stuart Little in the Stuart Little: Children's Tour (North Carolina Theatre for Young People). He holds a B.A. in acting from the University of North Carolina at Greensboro, and is a company member of The Flea Theater.

ANTON FLOYD (Reggie) makes his TheatreSquared debut. He appeared as Demertis in Carnaval (Luna Stage); Cory, Fences, and Grant Wiggins in A Lesson Before Dying (Phoenix Black Theatre Troupe); Darren Lemming in Take Me Out (Provincetown Theatre); Toledo in Radio Golf (Kunta Repertory Theatre); and Guy in Blues for an Alabama Sky (Pennsylvania Center Stage). Floyd, a native of Texarkana, Arkansas, received his B.A. from Alabama State University.

DEANNA SUPPLEE (Shanita) makes her TheatreSquared debut. Her New York theater credits include Sophie in On Strivers Row (Metropolitan Playhouse); Borachio in Much Ado About Nothing (New York Shakespeare Exchange); and Hecuba in The Trojan Women (The Flea Theater). Television credits include Investigation Discovery's Grave Secrets. DeAnna received classical training from the British American Drama Academy at the University of Oxford. She holds an M.F.A. in acting from The Actors Studio Drama School at Pace University and a B.A. in theatre arts and English from the University of Pennsylvania.

CHERENE SNOW (Faye) returns to TheatreSquared where she was last seen as Coretta Scott King and Fannie Lou Hamer in All The Way. On Broadway, she appeared in Cat on a Hot Tin Roof with Scarlett Johansson (Richard Rodgers Theatre). Off-Broadway/regional credits include Walking Down Broadway (Mint Theatre); Last of the Thorntons (Signature Theatre); Welcome To Fear City (CATF); Having Our Say (Philadelphia Theatre Company); Little Foxes (Goodman Theatre); Fata Morgana (Boise Contemporary Theatre); brownsville song (b-side for tray) (Humana Festival); Civil War Voices (National Tour); Black Pearl Sings (Triad Stage/Merrimack Rep); Doubt (Stamford Theatre Works/Cleveland Playhouse); To Kill a Mockingbird (Ford’s Theatre); and Coyote on a Fence (CATF). Film/TV credits include Arthur, Perhaps Tomorrow, My Sassy Girl, City of Angels, The Long Walk Home, Law & Order, Law & Order SVU, Third Watch, and The Tonight Show with Jay Leno (NBC); and Chappelle’s Show (Comedy Central). Cherene holds a Bachelor’s degree in theatre from Illinois State University.

Keira Fromm (Director) returns to TheatreSquared after previously directing Disfarmer by Werner Trieschmann in the 2014 Arkansas New Play Festival. Keira is a Joseph Jefferson Award-nominated director, casting director, and teacher based in Chicago. Recent favorite directing credits include: Bull in a China Shop (About Face Theatre); hang (Remy Bumppo); Significant Other (About Face Theatre); A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City (Route 66 Theatre Company); Bright Half Life (About Face Theatre); The Columnist (American Blues Theater); How the World Began (Rivendell Theatre Ensemble); A Kid Like Jake (About Face); Luce (Next Theatre); Charles Ives Take Me Home (Strawdog); The How and the Why (TimeLine Theatre); Broadsword (Gift Theatre); and Fallow (Steep Theatre). Keira is an Artistic Associate with About Face Theatre. She received her MFA from DePaul University, her BFA from Boston University, is an alumna of the Lincoln Center Theater Directors Lab, and is a member of Stage Directors and Choreographers Society. Keira is a frequent guest director at DePaul, as well as Roosevelt University. She will be directing the Chicago premiere of Dada Woof Papa Hot at About Face Theatre this winter.

Dana Black (Anne de Bourgh) makes her TheatreSquared debut. Her recent Chicago theatre credits include The Book of Will (Northlight Theatre); The Few (Steep Theatre); Abraham Lincoln Was a F@gg@t (About Face, Jeff Award nomination for Best Supporting Actress); Hank Williams: Lost Highway (American Blues Theatre); and Miss Marx by Philip Dawkins (Strawdog Theatre Company). Dana has also worked with Goodman, Steppenwolf, Victory Gardens, Silk Road, Jackalope, and Timeline theatres. Television credits include Chicago Med (NBC), Hot Date (POP TV) and a recent pilot for FOX with Katie Holmes. She is a graduate of Skidmore College in New York, the School at Steppenwolf in Chicago, and represented by Grossman & Jack Talent Agency.

Guadalupe Campos (Jane Bingley) returns to TheatreSquared, where she appeared Amadeus and in the 2018 Arkansas New Play Festival. Washington DC credits include work with Arena Stage, GALA Hispanic Theatre, The Kennedy Center Theatre for Young Audiences, Arts on the Horizon, Theatre Alliance, Olney Theatre, and Olney Theatre Center's National Players. Other regional credits include work with Arkansas Staged, North Dakota Shakespeare and The Border Theatre. Guadalupe studied long-form improv at the Upright Citizens Brigade training center in New York and holds an MFA in drama from the University of Arkansas.

Greg Geffrard (Charles Bingley) is excited to be making his debut at TheatreSquared. His previous credits include Tilikum (Sideshow Theatre); Another Jungle (Cloudgate Theatre); Smart People (Writers Theatre; u/s); Puff Believe It Or Not (Remy Bumppo); Pass Over (Steppenwolf; u/s); Earthquakes In London (Steep Theatre); BBC: Romeo & Juliet (Along The Way Productions); Carroll Gardens (16th Street Theatre); Our Lady Of 121st Street (Eclipse Theatre); Carlyle & Upstairs Concierge (Goodman Theatre; u/s); Treasure Island (Lookingglass Theatre; u/s); Coming Home (Erasing The Distance); Stick Fly (Windy City Playhouse); A Plank In Reason (Prologue Theatre); HAIR (American Theatre Company); one week in spring (Halcyon Theatre); And The Snow Came Down (Step Up Productions); Bud, Not Buddy (Chicago Children’s Theatre); and Seascape (Remy Bumppo Theatre). TV credits include Chicago Justice (NBC). He holds an MFA from the University of Iowa. He is represented by Gray Talent Group.

Katie Gonzalez (Elizabeth Darcy) makes her TheatreSquared debut. Chicago theater credits include Greta in Masque Macabre (world premiere at Strawdog Theatre); u/s Grace in The Light Fantastic (world premiere at Jackalope Theatre); Tess in Shamed (TEN at the Gift Theatre); Juliet in Romeo and Juliet (Teatro Vista); and u/s Freya in Earthquakes in London (Steep Theatre). She also toured regionally with Griffin Theatre’s TYA production of The Stinky Cheese Man as the Princess. Katie holds a BFA in musical theater from the Chicago College of Performing Arts at Roosevelt University and is a graduate of the School at Steppenwolf Theatre.

Steven Marzolf (Fitzwilliam Darcy) is thrilled to return to T2, where his credits include Great Expectations, All The Way, Amadeus, The Spiritualist, The Fall of the House, and the 2016, 2017, and 2018 Arkansas New Play Festivals. He also directed Romeo & Juliet in concert, a co-production with T2 and the South Arkansas Symphony in El Dorado, Arkansas. Regional acting credits include the title role in Cyrano and Cassio in Othello (Riverside Theatre); the title role in Coriolanus (The Old Globe Theatre); Romeo in Romeo and Juliet (Notre Dame Shakespeare); and several more productions at the Old Globe Theatre, La Jolla Playhouse, Trike Theatre, Milwaukee Repertory Theater, Chicago Shakespeare Theater, and Steppenwolf Theatre Company (where he was a part of the original production of the 2008 Pulitzer Prize-winning play August: Osage County). He has directed productions for Riverside Theatre in Iowa City, the Stella Adler Institute in New York, the Side Project in Chicago, the University of Tulsa, Opera Fayetteville, and the University of Arkansas, where he is directing Macbeth later this season. Steven holds an MFA in acting from the Old Globe Theatre/University of San Diego Professional Actor Training Program, is a member of Actors Equity Association, and teaches acting at the University of Arkansas.

Tyler Meredith (Mary Bennet) returns to TheatreSquared where she previously appeared in Lily’s Purple Plastic Purse. Her theater credits include Graveyard Shift (Goodman Theatre); The Tempest, A Midsummer Night’s Dream (Chicago Shakespeare Theater); Mystery of Love and Sex (Writers Theatre); The Columnist (American Blues Theater); You Can’t Take It With You (Oak Park Festival Theatre); Lord of the Flies (Nebraska Repertory Theatre); Spinning (Irish Theatre of Chicago); Goldfish (Route 66 Theatre Company); Hamlet (Montana Shakespeare in the Parks); Mai Dang Lao (Sideshow Theatre Company); Romeo and Juliet (Teatro Vista); Celebration (A Red Orchid Theatre); Letters Home (Griffin Theatre Company); It’s a Wonderful Life: The Radio Play (American Theatre Company); Titus Andronicus, Macbeth, Richard III, As You Like It, and Romeo and Juliet (Back Room Shakespeare Project). Tyler is a graduate of Interlochen Arts Academy, the School at Steppenwolf, and holds a BFA from the University of Illinois-Chicago.

Will Mobley (Arthur de Bourgh) makes his TheaterSquared debut. Chicago credits include Ragtime (Marriott Theatre); My Fair Lady (Lyric Opera); SS! Twelfth Night (Chicago Shakespeare Theatre); Days Like Today, Antony and Cleopatra (Writers Theatre). Regional credits include The Legend of Georgia McBride (Cardinal Stage Company); The Hound of the Baskervilles, A Christmas Carol, Other Desert Cities (Indiana Repertory Theater); Other Desert Cities (Arizona Theatre Company); The Two Gentlemen of Verona, Hamlet, Antony and Cleopatra, Twelfth Night, Richard III, The Admirable Crichton, The Taming of the Shrew, The Critic, and Of Mice and Men (American Players Theatre); A Midsummer Night's Dream (tour), Macbeth, The Merchant of Venice, Great Expectations (Utah Shakespeare Festival); and The Lieutenant of Inishmore (Artists Repertory Theatre). Mobley is a graduate of the Savannah College of Art and Design.

Madi Watkins (Lydia) returns to TheatreSquared where she understudied for Fun Home and performed in the 2017 Arkansas New Play Festival. Regional credits include Love’s Labour’s Lost and Richard III (Crude Mechanicals). Film/television credits include Mad Possum Pictures’ Step Into: The King Opera House and Miss Laura’s (AETN). Local credits include the University of Arkansas’ She Kills Monsters, Man of La Mancha, Life is a Dream, The Christians, and The Metal Children. She is an Arkansas Governor’s School performance art program alumna and will obtain her BA in theatre performance this spring from the University of Arkansas.

Liz Callaway is a Tony nominee and Emmy Award-winning actress, singer and recording artist. She made her Broadway debut in Stephen Sondheim’s Merrily We Roll Along, received a Tony Award nomination for her performance in Baby, and for five years, won acclaim as Grizabella in Cats. She has also starred in the original casts of Miss Saigon, The Three Musketeers, and The Look of Love.

Off-Broadway she received a Drama Desk nomination for her performance in The Spitfire Grill (Playwrights Horizons), and also appeared in Brownstone (Roundabout), No Way to Treat a Lady, Marry Me a Little, and Godspell. Other New York appearances include the legendary Follies in Concert at Lincoln Center, A Stephen Sondheim Evening, Fiorello! (Encores!), and Hair in Concert. Regionally, she starred as Venus in the Chicago Ovations! production of One Touch of Venus, in Elegies at Reprise! in Los Angeles, and Fascinating Rhythm at Hartford Stage. She also played Norma Desmond in Sunset Boulevard at Pittsburgh CLO.

Ms. Callaway has also established a major career as a concert and recording artist. The award-winning Sibling Revelry (created with sister Ann Hampton Callaway) was presented to great acclaim at the Donmar Warehouse in London. Boom!, a celebration of the music of the 60’s and 70’s, also created with her sister was recorded live at Birdland and has toured the country. She had the pleasure of singing "Chances Are" with singing legend Johnny Mathis, co-starred with Jimmy Webb & Paul Williams in their critically acclaimed engagement at Feinstein’s in New York and joined Burt Bacharach, Dionne Warwick, and Stevie Wonder at Hal David’s 90th Birthday Celebration Concert at the Mark Taper Forum in Los Angeles. Her extensive US symphony work includes appearances at The Kennedy Center, Carnegie Hall, Ravinia, and The Hollywood Bowl. Worldwide, she has performed in China, Australia (with Stephen Schwartz), New Zealand, Vietnam, Iceland, Estonia, France (Theatre du Chatelet, Paris), South Korea, and Barcelona’s Gran Teatre del Liceu where she premiered a new concert featuring the music of Stephen Sondheim.

Liz sang the Academy Award®-nominated song “Journey to the Past” in the animated feature Anastasia and is the singing voice of Princess Jasmine in Disney’s Aladdin and the King of Thieves and The Return of Jafar. Other film work includes the singing voice of the title character in The Swan Princess, The Lion King 2: Simba’s Pride, Beauty and the Beast, Lyle, Lyle the Crocodile and The Brave Little Toaster Goes to Mars.

She received an Emmy Award for hosting Ready to Go, a daily, live children’s program on CBS in Boston. Other TV credits include In Performance at the White House, Inside the Actor’s Studio: Stephen Sondheim, Christmas with the Boston Pops, The David Letterman Show, and Senior Trip (CBS Movie of the Week).

Liz has released six solo recordings: Passage of Time, The Beat Goes On, The Story Goes On: Liz Callaway On and Off-Broadway, Anywhere I Wander: Liz Callaway Sings Frank Loesser, Merry and Bright and her newest album The Essential Liz Callaway. Her numerous other recordings include Sibling Revelry, Boom! Live at Birdland, The Maury Yeston Songbook, Dreaming Wide Awake: The Music of Scott Alan, A Stephen Sondheim Evening, Hair in Concert, the original cast album of A Christmas Story and the complete recording of Allegro produced by the Rodgers and Hammerstein Organization.

Every Brilliant Thing at TheatreSquared will be directed by Dan Foster. Dan Foster is a co-founder of Hudson Stage Company. He has directed several productions for the company including Shining City, You Will Remember Me (American Premiere), Outside Mullingar, 4000 Miles, Talley’s Folly, A Number, Stones in his Pockets, Murderers, Mary’s Wedding, Love Song, Boston Marriage, and Rabbit Hole. He has also produced, directed, and appeared in productions on Broadway, off-Broadway, regionally, and internationally.

ALEX DAUPHIN (#00) makes her TheatreSquared debut. Her credits include Clearing (Commission Theatre); The Light (The New Colony, performing u/s); Othello (Invictus Theatre); The Pulse Project (Steppenwolf LookOut); An Octoroon (Definition Theatre Company, u/s); For the Love Of (Pride Films & Plays); and various shows at The Second City in Chicago. Television credits include Chicago Med (NBC) and FOBia (Pilot). She is a graduate of Princeton University and The ACADEMY at Black Box Acting, where she is now an instructor.

ANGEL LIN (#2) makes her TheatreSquared debut. She is a New York City-based actor-musician who recently worked on the production premieres of 1969: Second Man (New York Theater Workshop) and Interstate (New York Musical Theater Festival). Other theatre credits include Once (National Tour; Paramount Theater Aurora); Other Josh Cohen (Geva Theatre, d. Hunter Foster); Stinky Cheese Man… (Atlantic Theater Co., d. Liz Swados); Kansas City Choir Boy (starring Courtney Love, A.R.T Boston / Center Theater Group); various workshops/readings/concerts at Ars Nova, The Flea, The Civilians, Musical Theater Factory, Mckittrick Hotel, and more. As a voice-over artist, she has worked with Rockstar Games, Nickelodeon, and Dreamworks, and can currently be heard on the sci-fi radio anthology podcast, A World Where. When not performing, she is a teaching artist, musical sketch comedy writer, and avid gamer. She holds a BFA from NYU Tisch School of the Arts (Playwrights Horizons Theater School).

DYLLAN RODRIGUES-MILLER (#46) makes her TheatreSquared debut. She was recently seen as Fiancee in Something Marvelous’s Gawi (d. Cage Pierre). Her other Chicago credits include Shauna in The Burn (Steppenwolf Theatre Company); Eleonora Duse in In Sarah’s Shadow (Prop Thtr); and Lain in Down the Rocky Road and All the Way to Bedlam (TTS Studio). She holds a BFA in acting from The Theatre School at DePaul University.

ANNIE MUNCH (#11) makes her TheatreSquared debut. National credits include Mary Page in Mary Page Marlowe (Steppenwolf); Joanna in Guess Who’s Coming to Dinner (Indiana Repertory Theatre); Rachel in The Antelope Party (Theater Wit); and Grace in the upcoming Into the Breeches! (Northlight Theatre). Television credits include Teagan Marks on Sense8 (Netflix) and roles on Proven Innocent (Fox), Chicago PD (NBC), Crisis (NBC), and Underemployed (MTV). She is a graduate of Northwestern University.

JONNY SCHREMMER (Soccer Mom) returns to TheatreSquared, where she appeared in Rapture, Blister, Burn and Proof. Regional credits include Charlotte's Web (Trike Theatre at Walton Arts Center); Beatrice in Much Ado About Nothing (Classical Edge Theatre); Craving Gravy (Arkansas Staged); and Talking With (Smokehouse Players). She is arts director and a drama faculty member at the New School in Fayetteville, and was the theatre director for the Prison Story Project for three years. New York credits include HB Studio, Mabou Mines, Theatre for a New Audience, Columbia University, Dodger Theatricals, New Georges, and Six Figures. Films include the Independent Spirit nominated Chalk and An Ordinary Family, and she can be heard in the current season of True Detective on HBO. She holds an MFA in acting from the University of Texas at Austin and studied with Uta Hagen in New York.

BRENANN STACKER (#14) makes her TheatreSquared debut. Theatre credits include The Book of Joseph (Chicago Shakespeare Theater); Airline Highway, u/s Russian Transport (Steppenwolf Theater); Look, we are breathing (Rivendell Theatre); Under Construction (Jackalope Theatre Company); Red Sand (Santa Monica Playhouse); Schmoozy Togetherness (Williamstown Theatre Festival); and work with Double Edge Theatre. TV credits include Easy (Netflix) and Sirens (USA Network). She is a graduate of the O’Neill National Theater Institute, the Saint Petersburg State Theatre Arts Academy in Russia, and The School at Steppenwolf. She holds a BA in drama from Tufts University.

LILY TALEVSKI (#07) makes her TheatreSquared debut. Off-Broadway credits include Tania in Carner & Gregor's Toast (Bloomington Playwrights Project) and Ali/Ensemble in Mamma Mia! (Mason Street Warehouse). Film credits include Flavia in Ovid, the Art of Love (d. Esme Von Hoffman), and Debbie in The Pickle Recipe (d. Michael Manasseri). She holds a BFA in musical theatre from Oakland University.

ISABEL THOMPSON (#25) makes her TheatreSquared debut. Recent theatre credits include The Importance of Being Earnest (Writer’s Theater), Bull in a China Shop (About Face Theater), Truth and Reconciliation (Jeff Award Nomination; Sideshow Theater Company), Tug of War (Chicago Shakespeare Theater), and A Winter’s Tale (Lakeside Shakespeare Theater.) Television credits include Margot Trent on Chicago PD. She holds a BA from Northwestern University, where she studied acting and playwriting.

EMILY TOMLINSON (#13) returns to TheatreSquared having appeared in the educational touring productions The Shakespeare Show and The Math Show, and in the reduced traveling production of A Christmas Carol. Arkansas New Play Festival credits include Staging the Daffy Dame, Lee Blessing’s Uncle, What God Hath Wrought, and Swimming with Van Gogh. Other credits include Go Dog Go and Cinderella Confidential (Trike Theatre); and Rosalind in As You Like It (Classical Edge Theatre). University credits include The 39 Steps, The Two Gentlemen of Verona, Tribes, Cabaret, and Vinegar Tom. She played Simone in the virtual reality short film Say It With Music. She holds a BA in drama from the University of Arkansas and an MFA in performing arts from the Savannah College of Art and Design.

MADI WATKINS (#8) returns to TheatreSquared having last appeared as Lydia Wickham in Miss Bennet: Christmas at Pemberley. For T2 she was understudy in Fun Home and performed in the 2017 Arkansas New Play Festival. Regional credits include Love’s Labour’s Lost and Richard III (Crude Mechanicals). Film/television credits include Mad Possum Pictures’ Step Into: The King Opera House and Miss Laura’s (AETN). Local credits include the University of Arkansas’ She Kills Monsters, Man of La Mancha, Life is a Dream, The Christians, and The Metal Children. She is an Arkansas Governor’s School performance art program alumna and will obtain her BA in theatre performance this spring from the University of Arkansas.

BRUCE WARREN (Director) returns to TheatreSquared for his fifth season. Bruce appeared in and served as choreographer for Peter and the Starcatcher and directed T2’s collaboration with the Symphony of Northwest Arkansas, The Green Llama, part of SONA’s 2017 Pops: Music and Animation Concert. Audiences may also recognize Bruce from his other T2 performances, including Around the World in 80 Days, The Quest for Don Quixote, Mark Shanahan’s The Dingdong, and The Hound of the Baskervilles. Off-Broadway, he was the choreographer and assistant director of We Tell the Story: Songs of Ahrens & Flaherty (Lucille Lortel Theatre). He is also co-author of a new musical in development, Pump N’ Go. As a theatre maker for over 20 years, his work has been seen on stages across North America, including York Theatre Company, Alley Theatre, Arkansas Rep, Virginia Stage Co, Florida Rep, Florida Studio Theatre, Hangar Theatre, Kitchen Theatre, Ocean State Theatre, Memorial Theatre Guild, Theatre By the Sea, Fingerlakes Musical Theatre Festival, and many more. Bruce serves on the faculty for Jen Waldman Studio in NYC teaching classes in comedy for the stage. He holds a BFA from Ithaca College.

JAMES BEAMAN (Miss Tracy Mills/Ensemble) makes his T2 debut. He was one of New York’s premier female impersonators for nearly a decade, with his award-winning acts as Lauren Bacall and Marlene Dietrich. His work is featured in the short film Illusions by Rick McKay. Recent theatre credits include My Fair Lady (Riverside Theatre); Captain Hook in Peter Pan (North Shore Music Theatre); Feste in Twelfth Night and Fennyman in Shakespeare In Love in repertory (Orlando Shakespeare Theatre); and Nathan in Guys and Dolls (Maine State Music Theatre). He also starred as Sir Robin in the first national tour of Spamalot. Other film and television credits include Till We Meet Again and Law & Order: SVU (NBC). He holds a BFA from Boston University and an MFA from George Washington University’s Academy for Classical Acting.

BRANDON CURRY (Rexy/Jason) returns to T2 having recently appeared as John in Teen Dad at ANPF19. His credits include the original Subway Ghost in the first national tour of Ghost; Jetsam in Disney’s The Little Mermaid (Alabama Shakespeare Festival); Razor in Home Street Home (Eugene O’Neill Theater Center, Z Space); and Seaweed in Hairspray (Cape Rep Theater). Television credits include co-stars on the Law & Order: SVU episode “Chicago Crossover” (NBC) and Looming Tower (Hulu). He will be seen as Ubaid in the action-adventure trilogy Protector of the Gods (Archrok Entertainment). He holds a BFA in acting from Elon University.

MAX FALLS (Casey) makes his T2 debut. Regional theatre credits include Sky in Mamma Mia! (Totem Pole Playhouse); Spike in Vanya and Sonia and Masha and Spike (Gretna Theatre); John Hudson in Hudson: A New Musical, Kit Marlowe and Ned Alleyn u/s in Shakespeare in Love, Abram in Romeo and Juliet, ensemble in Guys and Dolls (Utah Shakespeare Festival); Tony Kirby in You Can't Take it With You, Don Lockwood in Singin' in the Rain (Lyric Repertory Company). He holds a BFA in acting from Utah State University.

MARGARET IVEY (Jo) returns to T2 having recently appeared as Tanya in Teen Dad at ANPF19. Off-Broadway credits include Measure for Measure and Mend (Epic Theatre Ensemble); scholarship babies and Run. Hide. Fight. (The Fire This Time Festival); and various readings at New Georges, The Drama League, The Lark, and Ensemble Studio Theater. Regional credits include the title role in Jane Eyre (Cincinnati Playhouse & Milwaukee Rep); Elizabeth in Miss Bennet: Christmas at Pemberley (Milwaukee Rep); Zoe in The Niceties (Contemporary American Theatre Festival); Lady Anne in Richard III and Ann in All My Sons (People’s Light); and Jo in The Legend of Georgia McBride (Ensemble Theatre Cincinnati). Television and film credits include The Blacklist (NBC), Different Flowers, and Millie. She trained at the University of Southern California, the British American Drama Academy and the American Theatre Wing’s Springboard NYC program.

BILL ROGERS (Eddie) returns to T2 where he previously appeared in It’s a Wonderful Life: A Live Radio Play, Detroit, All The Way, Amadeus, The Quest for Don Quixote, Superior Donuts, Sons of the Prophet, and Sundown Town. Other regional credits include Balloonacy (Trike Theatre); Twelfth Night (North Dakota Shakespeare); Krapp’s Last Tape and The Jefferson Bottles (Block St. Theatre); Nice Work If You Can Get It and Unnecessary Farce (Tent Theatre); The Dupont Series, Radio Dazed: Dracula vs. Old Man Winter (Ceramic Cow Productions); Alley 38 (Artist’s Laboratory Theatre) and others. Film credits include Sweet Inspirations, Parker’s Anchor, Your Local News, Neapolitan and Gordon Family Tree. He holds an MFA in acting from the University of Arkansas and serves as director of development for Trike Theatre.

Viola de Lesseps/Thomas Kent

Tilney

Henslowe

Lord Wessex

Fennyman